Regarding urban cultural lighting, it can be analyzed from the following three aspects. The first is the basic point of view. There are two points in the basic point of view that may be more alternative or more unique. When understanding the lighting, it is to illuminate the object and illuminate the environment. Our understanding of urban lighting is like this. Urban lighting is a process of effectively regulating and rationally utilizing light to create a living space that meets people's needs. It has both physical and spiritual strengths. Therefore, lighting is no longer a simple lighting environment. Or the process of the object, but based on social public activities that meet the behavior and psychological needs of the person.
The second basic point of view is that we have a simple definition of cultural lighting. The so-called cultural lighting means that the designer or the manager fully applies modern science and technology, consciously excavates, digests and correctly and appropriately expresses the excellent regional culture and advanced Modern culture and urban lighting that combines the two. We talk about culture is not a simple regional culture, but actually a subtle combination of regional culture and modern culture.
The basic connotation of cultural lighting:
1) Cultural and cultural are the essential connotations and characteristics of urban cultural lighting. It refers to the regional culture and modern human progressive culture that must be embodied in such urban lighting. In particular, it should reflect regional culture. Regional culture refers to the influence of geographical environment. The specific region has a long history and unique characteristics. It inherits the life tradition that still functions today. It is the manifestation of the ecology, folklore, habits and other civilizations of a particular region. It is integrated with the environment within a certain scope, thus it has been geographically Branding, unique, such as Heluo culture, Sanjin culture, Sanqin culture, Yanzhao culture, etc. We believe that only the region is global, only the nationality is human, and the regional culture meets the local residents. The spiritual level needs to reflect the progress of local civilization. I think this is the place where we need to pay attention to the most need in the field of lighting design. We are preparing to set up the Cultural Lighting Research Institute.
2) Artistic and artistic connotation means that the process of expressing culture should be artistic rather than simple copying and reproduction. This requires designers to use more personal wisdom and unique methods to complete the design, only artistically. Culture has life, and only urban lighting that makes people feel pleasing is cultural lighting.
3) Humanity, which means that cultural lighting must always meet the needs of local residents with reasonable and high quality, and use it as the ultimate attribution.
4) Technical, because urban lighting is a complete set of material technology systems, of course, must meet a series of technical requirements.
5) Functionality, urban lighting is a living space created to meet the needs of people, so it must have the necessary functions, such as satisfying people's functions in the night environment and so on.
6) Green and environmentally friendly, we must fully consider the environmental capacity, adhere to sustainable development and adhere to low carbon and environmental protection.
Our practice and experience: First, the birth of a luminaire, the basic elements of the design of the luminaire, should consider your region, that is, in a specific geographical environment, cultural background, system culture in your region. The background of creation, what is the motivation of our creation, the functional requirements refer to specific requirements, and our interpretation of cultural symbols includes systematic analysis and extraction and interpretation of colors, shapes and patterns.
Second, this is something we have done relatively successfully in recent years. We are called the Magnolia lamp. After the lamp was made, it has a good influence in the country now. When designing this lamp, we firmly grasped the two symbols and put this The two symbols are extracted as abstractions and placed on top of the magnolia lamp. At the same time, we make full use of the modern people in the observation needs, we believe that this lighting is more domestic applications, but also more beautiful.
This is the design of the Beichuan Xenon lamp that I organized. When we did the design, we fully considered the application area of ​​this lamp, which is the Yi area. This is the real map. When we designed this lamp, we captured three elements, one is The shape of the Yi people, this is the oracle word of Oracle, this is the armor armor, this is the 羌金文, we use it as a basic shape to shape. The second is the Yi people's admiration for color, so we refer to the main body of the lamp as white.
This is a very simple one we designed, etc., which is the design element of Chengdu Dudu Avenue. We designed the sun god bird. This is the design of the wide and narrow alley bird cage lamp I designed. This place is slow and free. We caught the characteristics of the bird cage and the lantern. We made these two shapes into a bird cage lamp, which is very effective. This is the design element of the bucket, we grasp the meaning of the bucket, the bucket means wealth, so this lamp is currently used in Chengdu and Sichuan.
This is a lamp we made for Tianshui in Gansu. We have more symbols to capture. One is to capture the color. We mainly use cinnabar color. The other is to catch more plant shapes in Yangshao culture. This lamp The local people like it very much. This is the Tianshui Longcheng Square we designed in Tianshui. We use the lamp to express the Luoshu. After embodying this culture in the square, the citizens have a very strong intimacy.
This is the transformation of the high pole lights of Longcheng Square. Because Gossip is one of the biggest cultures in Wuxi, we add this symbol properly. This is a landscape light in the square. This is Fuxi and Nuwa. We are Design its action elements into the lamp.
This is the design of the head of Yangchang Changpo Park, which uses Chu culture. In short, we believe that the lighting is not a simple decoration when designing, the lighting must be integrated with the environment, and the lighting should be energy-saving and environmentally friendly.
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